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喧嚣闹市中的极简主义 | 波兰华沙的FNL公寓【设计画报151期】

设计画报
2024-09-04



案例速递第151期



波兰华沙的FNL公寓


FNL APARTMENT IN WARSAW



“融合丰富的实质性与极简主义思维”




Paradowski 工作室的FNL公寓在夏日散发出了清凉奢华的气息。在波兰华沙的城市喧嚣之中,以避暑别墅的姿态让人忆起风格迥异的70年代,好莱坞风潮,太空时代,亚洲文化...从而让人能够轻松的融入这闲适怀旧的居住环境。


Cool as a cucumber, the FNL Apartment by Paradowski Studio drips in luxurious tactility. With a summer house attitude set amongst the city noise of Warsaw, Poland, the varied stylistic references – from the 70s, Hollywood regency, space-age and Asian culture – seamlessly blend for a residence rich in ease and comfort.




这座新颖的住宅是为了一对年轻夫妇设计的,他们的个性贯穿体现在整个空间之中。屋内透露出一种朴素的魅力,独特的色彩与房间隔断相融合,营造出了亲切感,让人联想到意大利艺术家Carlo Mollino的作品。


The somewhat unconventional abode was designed for a young couple with their personal character felt throughout. A certain austere charm and organicity are mixed with distinct colour choices and room dividers creating a sense of intimacy reminiscent of work by Italian artist Carlo Mollino.



分布在客厅墙面的特制搁板采用了轧钢材质,重达600公斤以上。原始粗糙的纹理令人印象深刻,钢制的骨骼部分采用装饰性的木材与大理石嵌件支撑。造型上增加了厚度和隔断层,让人联想到了 Jean Dunards的设计和日本风格的橡木咖啡桌。红色的Amura Lapis沙发映衬着石膏墙体与抛光后的水泥地面。再加上一套由奶油色棉织物装饰的老式安乐椅,它们的曲线形式设计是对经典的现代诠释。


A made-to-measure shelving system, executed in raw rolled steel and weighing over 600kg, lines the living room wall. A raw textural delight, the steel bones are bolstered by decorative wood and marble inserts. Styling adds depth with a screen reminiscent of Jean Dunards designs and a Japanese inspired solid oak coffee table. The Amura Lapis sofa in red pops against the subdued, earthy plaster walls and polished concrete floors. Together with a set of vintage easy chair armchairs upholstered in a cream boucle fabric their swelling, curvaceous forms are a contemporary take on classic design.



经过定制设计的黑橡木长桌位于餐厅的中心区域,四周围绕的Jean Prouve设计的Vitra Standard座椅被一起包裹在了黑色玻璃隔墙之中。Christophe Meyer的画作与白色的Foscarini落地灯形成了对比。


A custom-designed table made of blackened oak is the central fixture of the dining room. Flanked by Vitra Standard chairs by Jean Prouve its encased in a black partitioned glass box. A painting by Christophe Meyer contrasts with the white Diesel Foscarini floor lamp.  



在设计时也考虑到了厨房偶尔使用的频率,它的设计专注于简约的外表形式以及高质量的材料选用。乡舍风格的大理石洗手池坐落在清爽的台面上,充满着自然气息。置于地面上的橱柜由黑色烤漆,钢型材质制成,并覆上了乌木,在空间中营造出明亮的气氛。带有青铜饰面的搁板沿着墙壁弯曲,作为客厅空间的延展。


The kitchen has been designed with occasional use in mind. With a minimalist approach, it focuses on simple forms and high-quality materials. A stone travertine washbasin sits farmhouse style nestled in the complimentary countertop, a natural addition to the palette. Cabinets float above the ground, made from a structure of black lacquered steel profiles and clad in ebony creating a light expression in the space. A shelf in patinated bronze finish curves along the wall acting as a continuation of its much larger living room counterpart.




客房覆盖着20世纪60年代风格的饰面,让它看上去具有了“盒子”的特征。红色的Verpan灯采用同样的颜色立于定制架子上,为房间的陈设增添色彩,同时打破了简约性。金色阴影下的大理石瓷砖与橡木贴面让人仿佛回到了60年代的桑拿浴室。


The guest rooms are covered with veneer stylised from the 1960s giving it a “box” character. A red Verpan lamp standing on a custom-made small shelf in the same colour adds a flourish to the room while breaking up the simplicity. Small tumbled marble tiles and oak veneer in a golden shade feel resonant of a 1960’s sauna.



主卧套房中配有一扇手工上色,斑驳的黄铜门。位于混凝土地面上的床和衣柜配有织物饰面和古铜色的支撑架。定制的波浪橡木屏风搭配有同样风格的床头柜,从床的后侧突出。两侧贴面覆盖着的落地式华丽浴缸是你绝对不可错过的。与墙板相对于的石顶非常靠近卧室,只是被一面玻璃滑动门隔开了。


A decadent brass door antiqued with hand-applied patina leads to the master suite. The bed and wardrobe with a fabric finish and patinated brass legs sit upon a concrete platform. A custom wavy oak screen with matching nightstands protrudes from the back wall framing one side of the bed. Not to be missed, the drop-dead gorgeous bathtub covered in veneer on either side and a stone top that corresponds to the wall panel is comfortably in reach of the bedroom, just separated by a glass sliding wall.



屋中的内饰具有丰富的实质性,也涵括着极简主义的思维风格,它跨越了实用与过剩两个世界的边界,提出了一个理论,不必一定是两边的其中之一。


Rich in materiality with a minimalist mindset this interior straddles the two worlds of utility and excess, proposing the case that it need not be one or the other.






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